元青花玉壶春瓶：古董鉴赏与收藏价值解析

玉壶春瓶的造型是由唐代寺院里的净水瓶演变而来。基本形制为撇口、细颈、垂腹、圈足。它是一种以变化柔和的弧线为轮廓线的瓶类。其造型上的独特之处是颈较细,颈部中央微微收束,颈部向下逐渐加宽过渡为杏圆状下垂腹,曲线变化圆缓;圈足相对较大,或内敛或外撇。这种瓶的造型定型于宋代,历经宋、元、明、清、民国直至现代,成为中国瓷器造型中的一种典型器物。玉壶春瓶与梅瓶、赏瓶并称为“瓶中三宝”,是器物美学发展史中最具代表性的造型。许多瓶类都是以这三种造型为母本延伸创作出的。三种瓶型相比,玉壶春的造型最为经典。清新挺俊的身姿、曼妙的曲线更显女性阴柔的丰满与纤细,所以不少收藏家也习惯称其为“女性瓶"。

元青花玉壶春瓶

玉壶春瓶最早出现在宋代,以后历代都有烧制,但每个历史时期的造型和装饰都略有不同。从宋至清,年代越晩,瓶的颈部越短,腹部越大、越圆,圈足越宽。釉彩装饰在宋代目前仅见北方窑口的品种,如定窑的白釉刻花、磁州窑系的白地黑彩或褐彩等;元、明时主要有青花、釉里红、白釉(元代为卵白釉、明初为甜白釉)等;到清代又增加了粉彩及其他颜色釉等品种。

瓷器是中国伟大发明之一,每个时代的瓷器都蕴含了当时独特的时代特征与艺术风格,它凝聚了人们集体的聪慧与才智,同时也反映出当代浓郁的民族特色。明代则是中国瓷器史上光辉灿烂的时代,它集合了一流能工巧匠与艺术家们的心血,其成就更是令人赞叹。瓷器易碎,难以保存,在经过岁月的洗礼后,流传世间的就更稀少了,此款玉壶春瓶经故而更显宝贵。此件玉壶春瓶胎体细腻,胎质紧密,艺术价值不可估量,收藏价值非常高.

此件“玉壶春瓶”敞口,细长颈,鼓腹,圈足微外撇。瓶颈以青花饰蕉叶纹,腹部为鱼藻纹,足部变型仰莲纹围圈。足胎浑厚,釉细腻润泽,造型优雅美观,纹饰呈色浓艳深沉,并带有黑褐色较光润的斑点。整器图案绘制传神生动,绘工精美细致,纹饰清晰、流畅,其中腹部的鱼藻纹极具美感。器身纹饰用的青料为回青料,锡斑深入胎骨,分布自然。仔细观看会发现,瓶身将浓厚的釉质、自然晕散巧妙的融合在一起,愈发独特别致,给人以历史的沧桑之美感,其美感、神韵浑然一体,观赏性十足。突显岀画师们娴熟的技术,拿捏有度,器身纹饰繁多,却能将图案绘制得淋漓尽致,形象生动,实为一件不可多得的宝物,值得收藏.

英文翻译：The shape of the jade pot spring vase evolved from the clean water bottle in the Tang Dynasty temples. The basic shape is skimming mouth, thin neck, hanging belly, circle foot. It is a kind of bottle with a soft curve as the contour line. Its unique shape is that the neck is thin, the neck is slightly tucked in the center, the neck is gradually widened downward into apricot round pendulous abdomen, the curve changes slowly round; The circle feet are relatively large, either inward or outward. The shape of the bottle was shaped in the Song Dynasty, through the Song, Yuan, Ming, Qing, the Republic of China until the modern times, becoming a typical ware in the shape of Chinese porcelain. Together with plum vase and appreciating vase, Jade Pot spring vase is called "three treasures in the bottle", which is the most representative shape in the development history of utensils aesthetics. Many bottle types are based on these three models for the extension of the creation. Compared with the three bottle shapes, Yuhuchun is the most classic. Pure and fresh pretty body posture, lithe curve more show feminine feminine plump and fine, so many collectors also used to call its "female bottle".

Yuan blue and white jade pot spring bottle

Jade spring bottles first appeared in the Song Dynasty and were fired in successive dynasties, but the shapes and decorations in each historical period were slightly different. From song dynasty to Qing Dynasty, the later the time, the neck of the bottle is shorter, the abdomen is bigger and more round, the circle foot is wider. In the Song Dynasty, only varieties of glaze decoration were found in northern kilns, such as white glaze carving of Ding Kiln, black color or brown color of white ground of Cizhou kiln. Yuan, Ming mainly blue and white, youligong, white glaze (Yuan dynasty for egg white glaze, sweet white glaze at the beginning of the Ming Dynasty); In the Qing Dynasty, pastels and glazes of other colors were added.

Porcelain is one of the great inventions of China. The porcelain of each era contains the unique characteristics and artistic style of the time. It embodies the wisdom and intelligence of the people as well as reflects the strong national characteristics of the contemporary era. The Ming Dynasty was a glorious era in the history of Chinese porcelain. It gathered the painstaking efforts of first-class craftsmen and artists, and its achievements were even more impressive. Porcelain is fragile, difficult to preserve, after the baptism of years, the spread of the world is more rare, so this jade pot spring bottle is more valuable. This jade pot spring bottle has delicate body, compact fetal quality, immeasurable artistic value and very high collection value.

This piece of "Jade Pot spring bottle" is open, slender neck, bulging abdomen, circle foot slightly outward. The neck is decorated with green banana leaf pattern, the abdomen is fish algae pattern, and the feet are surrounded by lotus pattern. The foot tire is thick, the glaze is delicate and smooth, the shape is elegant and beautiful, the decoration is rich and deep in color, and has the black and brown more smooth spots. The whole pattern is vivid and vivid, and the painting work is exquisite and meticulous. The pattern is clear and smooth, and the fish and algae pattern on the abdomen is very aesthetic. The green material used for the decoration of the body is the green material, tin spots deep into the fetal bone, natural distribution. If you look carefully, you will find that the bottle body skillfully integrates the thick glaze and natural halo together, making it more unique and unique, giving people the beauty of the vicissitudes of history. Its beauty and verve are integrated and full of appreciation. Highlight chu painters skilled technology, take hold degree, the body decoration is various, but can draw the pattern incisively and vividly, vivid image, is a rare treasure, worth collecting.